Inscribing a circle

I've been drawing circles since I was four, but my fascination with them as an art form dates back to to the 80's in front of an ashram in Oakland, CA, where, just outside the door, I saw a most astonishing drawing done in a rich array of vibrant colors all contained in a circle.

Ritual rangoli done in powdered pigments

These circles, called rangolis, were done for religious or healing ceremonies. As an artist, I ached to be able to do something like this and after some investigation, came upon the mandala (the Sanskrit word for circle), an art form with a long history across many cultures. Like the rangoli, it is art created created for ritual purposes in a circular form and these days, also employed in art therapy.

New Years Mandala, ©2008, Hannah Hunter, Collage

So, while I've been painting, collaging, and inscribing these geometric discs for years, nothing could have prepared me for the excitement about the circle that recently burst upon the art scene in the form of Damian Hirst's spots.

I started poking around and pretty soon I discovered that I could make a distinction between a circle and a spot. It's strictly my interpretation, but the way I see it is that the spot is just that: a rounded mark or splotch made by foreign matter. It seems to have arrived in a rather casual manner.

Spots tossed on a watercolor in the studio, photo by Amelia McSweeny

The circle on the other hand is a closed line, something inscribed in which all the points on the line lie at the same distance from the center. It seems intentional, elegant, something that shows up in nature, but also something that 3 and 4-year olds begin drawing as they enter into the world of representation. The circle is one of the early building blocks.

Rose Colored Egg, ©1998, Hannah Hunter, Colored pencil

I looked up on my studio wall, where all three current pieces are iterations of the circle, so I tried to dig a bit deeper to see what was so fascinating-- and, what keeps me returning to them as a form decade after decade.

Rice Bowl, ©2012, Hannah Hunter, Collage

I'm reminded of something that another blogger, Gwyneth Leech, said in a recent post, "Spots Before My Eyes...:""...there is the infinite variety of things, then there is an infinite variation of one thing." A circle suggests eternity (think of a ring), something bigger than myself, time layered upon itself, the pleasure in creating a multitude of variations on a theme.

Zodiac Season, ©2010, Hannah Hunter, Collage

The idea that each circle can both be the same yet different; it's own infinite, elegant universe is  powerful. A 3-year taps into these infinite possibilities without fear or the preconceived notions of adults. When I began this post I thought that I'd be arguing for the integrity of the circle, but now that I've experienced spots and dots á la Hirst (and, for a great post on spots, see Joanne Mattera's  "Connecting the Dots), I'm looking to get rid of some of my trepidation and preconceived notions, and hopefully, adopt some of the spot philosophy too.

I know that many of you have had fun in the studio with circles, spots and dots--if you have any stories or images you'd like to share I'd love to hear from you.

Where Inspiration Grows

I was reading one of my favorite blogs by Donna Watson, a post called The Search For Meaning: Self Awareness. The title alone called out to the mystic, the artist and the art therapist in me. As I read, I came to this question:

I eventually realized that there is more to a work of art. I wanted to find meaning in my work... I started making lists as I went deeper and identified my likes, my interests, and my strengths...Have you figured out your list? 

As I read and looked at her images, it struck me that images themselves are a form of sanctuary for many of us--not only the creating of images, but the consequent viewing of our own and those of other artists.

Donna's words spoke to me. I've made plenty of To Do lists, mapping out my day, but never an accounting of where I find visual meaning.  I wanted my list to include things that have inspired me through the years, things that fuel my work and which, I've discovered, help form my own inner strengths.

To that end, I'm making my list. I invite you to make your own and share it with us.

1. Quilts:

How I start to make a quilt, all I do is start sewing and it just comes to me. My daughter asked me the other day what I was making, and I said, "I don't know yet; I'm just sewing pieces together," and the quilt looked pretty good. No pattern. I usually don't use a pattern, only my mind.  Lorraine Pettway, quilter

Dancing Rings, ©2007, Hannah Hunter, 48" x 60," Cloth

2. Sheer, unbridaled color:

All colors are the friends of their neighbors and the lovers of their opposites. Mark Chagall

3. Mandalas:

When I began drawing the mandalas, however, I saw that everything, all the paths I had been following, all the steps I had taken, were leading back to a single point-namely, to the midpoint...It is the path to the center, to individuation.  C. G. Jung from Memories, Dreams and Reflections

Thangka painting of Vajradhatu Mandala

4. Tree of Life:

Oh, I who long to grow
I look outside myself, and the tree
inside me grows.  Ranier Marie Rilke

5. Indian gouache paintings:

The Goddess Shakti taking the form of a triangle brings forth the three worlds. Jnarnava, Chapter X

Rajasthan, c. 17th century, Gouache on paper

6. Ancient Manuscripts:

Without traditional wisdom, the language would be but a skeleton without flesh, a body without a soul.   Zulu proverb from South Africa

Hebrew manuscript from the Bodleian Library, Oxford University